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<TEI xmlns="http://www.tei-c.org/ns/1.0">
    <teiHeader>
        <fileDesc>
            <titleStmt>
                <title type="main">Ad in "Münchner neueste Nachrichten"</title>
                <title type="sub">15.11.1910</title>
                <author>
                    <orgName key="a.schmid">
                        Alfred Schmid Nachf.
                    </orgName>
                </author>
                <respStmt>
                    <resp>Transcription and encoding</resp>
                    <persName xml:id="np">
                        <surname>Pfeffer</surname>
                        <forename>Niels</forename>
                    </persName>
                </respStmt>
            </titleStmt>
            <publicationStmt>
                <publisher>
                    <persName>
                        <surname>Pfeffer</surname>
                        <forename>Niels</forename>
                    </persName>
                </publisher>
                <pubPlace>Tübingen</pubPlace>
                <date when="2026">2026</date>
                <availability>
                    <licence target="https://creativecommons.org/licenses/by/4.0/">
                        <p>
                            Creative Commons Attribution 4.0 International
                            License
                        </p>
                    </licence>
                </availability>
            </publicationStmt>
            <notesStmt>
                <note resp="#np">
                    This advertisement was published two days before a performance on
                    20 November 1910. It was extended for a further performance on
                    8 December 1910 (see <ref target="ad005.xml">ad005</ref>).
                </note>
            </notesStmt>
            <sourceDesc xml:id="source_1">
                <bibl>Mit dem Welte Mignon ist ...</bibl>
                <biblFull>
                    <titleStmt>
                        <title level="m" type="main">Mit dem Welte Mignon ...</title>
                        <author>
                            <orgName>Alfred Schmid Nachf.</orgName>
                        </author>
                    </titleStmt>
                    <publicationStmt>
                        <publisher>
                            <orgName>Münchner neueste Nachrichten</orgName>
                        </publisher>
                        <pubPlace ref="https://www.geonames.org/2867714">München</pubPlace>
                        <date type="publication" when="1910-11-15">1910</date>
                    </publicationStmt>
                    <seriesStmt>
                        <title level="j" type="main">Münchner neueste Nachrichten</title>
                        <biblScope unit="issue">15.11.1910</biblScope>
                        <biblScope unit="pages">3</biblScope>
                    </seriesStmt>
                </biblFull>
                <msDesc>
                    <msIdentifier>
                        <repository>Bayerische Staatsbibliothek</repository>
                        <idno type="URLImages">https://www.digitale-sammlungen.de/en/view/bsb00130861?page=335</idno>
                    </msIdentifier>
                </msDesc>
            </sourceDesc>
        </fileDesc>
        <encodingDesc>
            <projectDesc>
               <p>The Welte-Mignon Advertisements Collection brings together print
                  advertisements for the Welte-Mignon reproducing piano that appeared
                  between 1905 and 1930. It was created as part of the PhD project
                  "Grünfelds Geist" at the University of Tübingen, which considers
                  piano rolls as objects of a digital edition. The collection is
                  published at https://anz.welte225.org.</p>
            </projectDesc>
            <samplingDecl>
               <p>The collection gathers print advertisements for the Welte-Mignon
                  reproducing piano that appeared between 1905 and 1930 and were
                  published by M. Welte &amp; Söhne, by one of its licensees, or by a
                  dealer or agent selling the instrument. Each advertisement is
                  encoded once; its further printings, in the same or in other
                  periodicals, are listed as further sources.</p>
               <p>The advertisements were found in digitised newspapers and
                  magazines: Chronicling America (Library of Congress), the British
                  Newspaper Archive, HathiTrust (copies of the Universities of
                  California, Illinois, Michigan, Minnesota and Virginia), the
                  Internet Archive, the Digitale Sammlungen of the Bayerische
                  Staatsbibliothek, ANNO (Austrian National Library), the
                  International Arcade Museum Library, Georgia Historic Newspapers,
                  Delpher (KB, National Library of the Netherlands),
                  eluxemburgensia (National Library of Luxembourg), RetroNews
                  (Bibliothèque nationale de France), the archives of Le Temps,
                  the Nasjonalbiblioteket of Norway, Mediestream (Royal Danish
                  Library), the National Library of Latvia (through Europeana),
                  Canadiana, the Hemeroteca Nacional Digital de México, the
                  St Petersburg State Theatre Library, Trove (National Library of
                  Australia), the newspapers of the Kungliga biblioteket of Sweden,
                  e-newspaperarchives.ch, BAnQ numérique (Bibliothèque et Archives
                  nationales du Québec), the Biblioteca Virtual de Prensa
                  Histórica, the archive of ABC, ARCA (Biblioteca de Catalunya)
                  and Polona (National Library of Poland).</p>
            </samplingDecl>
            <editorialDecl>
               <p>Each file transcribes one printing of an advertisement, the one
                  whose scan its facsimile zones refer to; <att>decls</att> on
                  <gi>text</gi> points to its <gi>sourceDesc</gi>. The further
                  printings were identified as the same advertisement but not
                  collated word for word; differences that were noticed are
                  recorded with <gi>app</gi> or in a note.</p>
               <p>The regions and lines of the scans were mostly marked in
                  eScriptorium and converted from PAGE XML to TEI. The text was in
                  part recognised automatically (HTR) and corrected against the
                  scan, in part transcribed by hand. The advertisements published
                  outside Germany, the United Kingdom and the United States, and a
                  few from Germany, were transcribed from the scans, encoded, given
                  their regions and annotated with topics by Claude, an AI model;
                  their revision history says so. Until the editor has checked such
                  an advertisement against the scan, <att>status</att> on its
                  <gi>revisionDesc</gi> is <val>unchecked</val>; that of every other
                  advertisement is <val>checked</val>.</p>
               <correction>
                  <p>Errors of the original are not corrected but marked with
                     <gi>sic</gi>.</p>
               </correction>
               <normalization>
                  <p>Spelling and punctuation follow the original and are not
                     normalised. Text set in capitals is often transcribed in mixed
                     case and marked with the rendition <val>#uc</val>.</p>
               </normalization>
               <hyphenation eol="all">
                  <p>Hyphens at the end of a line are kept as printed.</p>
               </hyphenation>
               <segmentation>
                  <p>Every region of the original page is a <gi>div</gi> that points to
                     its zone in the <gi>facsimile</gi> with <att>facs</att>. The
                     lines of the original are marked with <gi>lb</gi>; the typography
                     is recorded with <att>rendition</att>. The zones refer to the
                     first <gi>graphic</gi> of a <gi>surface</gi>, the scan they were
                     drawn on. Where the holding library serves the page through
                     IIIF, a second <gi>graphic</gi> of the type <val>IIIF</val>
                     gives that image and its size.</p>
               </segmentation>
               <interpretation>
                  <p>Parts of an advertisement that concern other products than the
                     Welte-Mignon are not transcribed but marked with <gi>gap</gi>,
                     which describes them in a <gi>desc</gi>. Illustrations are
                     described in <gi>figure</gi>. Persons are linked to the GND with
                     <att>corresp</att>. Recurring motifs are marked as topics with
                     <att>ana</att> on <gi>seg</gi> and <gi>figure</gi>, pointing to
                     the taxonomy of topics; these are an interpretation, by whom
                     <att>resp</att> says.</p>
               </interpretation>
               <stdVals>
                  <p>Dates of publication are given in ISO 8601 in <att>when</att>,
                     as precisely as they are known.</p>
               </stdVals>
            </editorialDecl>
            <schemaRef type="projectODD" url="https://anz.welte225.org/tei/schema/welte-ads.odd"/>
            <tagsDecl>
                <rendition xml:id="b" scheme="css">font-weight: bold;</rendition>
                <rendition xml:id="c" scheme="css">text-align: center;</rendition>
                <rendition xml:id="et2" scheme="css">margin-left: 4em;</rendition>
                <rendition xml:id="in" scheme="css">font-size: 150%;</rendition>
                <rendition xml:id="larger" scheme="css">font-size: 120%;</rendition>
                <rendition xml:id="right" scheme="css">text-align: right;</rendition>
            </tagsDecl>
            <classDecl>
                <taxonomy xml:id="topics">
                    <desc>Topics: recurring motifs of the advertisements, in their texts
                       and in their pictures</desc>
                    <category xml:id="distinction_from_mechanical">
                       <gloss>Distinction from Mechanical</gloss>
                       <desc>Often, the adverts try to distinguish reproducing piano rolls
                          from mere mechanical methods (such as the player piano).</desc>
                    </category>
                    <category xml:id="educational_use">
                       <gloss>Educational Use</gloss>
                    </category>
                    <category xml:id="immortality">
                       <gloss>Immortality</gloss>
                       <desc>This topic emphasizes the perdurance of the reproductions and
                          how thus the recording artists become immortal.</desc>
                    </category>
                    <category xml:id="technical_invention">
                       <gloss>Technical Invention</gloss>
                    </category>
                    <category xml:id="touch_of_a_button">
                       <gloss>Touch of a Button</gloss>
                       <desc>The Welte-Mignon is permanently available and "objectified"
                          for the entertainment of the owner – on the touch of a
                          button.</desc>
                    </category>
                    <category xml:id="unreached_ideal">
                       <gloss>Ideal Instrument</gloss>
                    </category>
                </taxonomy>
            </classDecl>
        </encodingDesc>
        <profileDesc>
            <langUsage>
                <language ident="de">German</language>
            </langUsage>
        </profileDesc>
        <revisionDesc status="checked">
            <change when="2026-10-20">Licence changed to CC BY 4.0.</change>
            <change when="2026-10-20">Marked as checked by the editor.</change>
            <change when="2026-10-20">Date of the edition brought up to date; the revisions below give the earlier history.</change>
            <change when="2026-10-16">Transcribed printing marked; link to the digital images added; note translated into English; the page through IIIF added.</change>
            <change when="2026-10-15">Encoding description, schema reference, ISO dates and language codes added.</change>
            <change when="2026-10-15">Stable identifiers for the topic segments added.</change>
            <change when="2026-10-15">Made valid against tei_all.</change>
            <change when="2026-10-15">TEI header corrected.</change>
            <change when="2026-10-15">Layout encoding checked and corrected against the scan.</change>
            <change when="2023-08-28">Encoding revised.</change>
            <change when="2023-08-25">Transcribed and encoded.</change>
        </revisionDesc>
    </teiHeader>
    <facsimile>
        <surface>
            <graphic url="v2_bsb00130861_00335_full_full_0_default.jpg" width="4782px" height="6220px"/>
            <graphic type="IIIF" url="https://api.digitale-sammlungen.de/iiif/image/v2/bsb00130861_00335/full/full/0/default.jpg" width="4782px" height="6220px"/>
            <zone points="2829,4503 2829,5079 4369,5079 4369,4503"
                xml:id="eSc_textblock_fa9ab44f" />
            <zone points="2842,5097 2842,5488 4364,5488 4364,5097"
                xml:id="eSc_textblock_16a9ec04" />
            <zone points="2753,5494 2753,5737 4476,5726 4476,5494"
                xml:id="eSc_textblock_31285247" />
            <zone points="2803,5870 2803,6031 4439,6031 4439,5870"
                xml:id="eSc_textblock_7c09e566" />
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        </surface>
    </facsimile>
    <text decls="#source_1">
        <body>
        <div facs="#eSc_textblock_fa9ab44f"><ab><hi rendition="#c #b">
            <lb />
            <persName type="artist" corresp="https://d-nb.info/gnd/116942037">Felix Mottl</persName>
            <lb />
            <persName type="artist" corresp="https://d-nb.info/gnd/118598988">Max Reger</persName>
            <lb />
            <persName type="artist" corresp="https://d-nb.info/gnd/11861911X">Richard Strauss</persName></hi></ab>
        </div>
        <div facs="#eSc_textblock_16a9ec04">
            <ab><quote type="testimonial">
                <lb />Das <name type="brand">Welte Mignon</name> ist eine
                <seg xml:id="topic_1" ana="#technical_invention" resp="#np" type="topic">
                    unbedingt geniale Erfindung
                </seg>, und hat einen hohen
                künstlerischen
                <lb />Wert. Ich habe selten eine so schöne und freudige Ueberraschung
                erlebt, wie heute, wo ich dieses
                <lb />prächtige Instrument kennen gelernt habe.
            </quote>
            <lb /><hi rendition="#right #b"><persName type="artist" corresp="https://d-nb.info/gnd/116942037">Felix Mottl</persName>.</hi>

            <quote type="testimonial">
                <lb />Mignon ist für mich
                <seg xml:id="topic_2" ana="#unreached_ideal" type="topic" resp="#np">das unerreichte Ideal aller
                    Musik-Instrumente
                </seg>,
                <seg xml:id="topic_3" ana="#educational_use" type="topic" resp="#np">
                    eine Erfindung von unschätz-
                    <lb />barer Bedeutung für Lehrer,
                    Schüler
                </seg>, Publikum und alle Künstler.
            </quote>
            <lb /><hi rendition="#right #b"><persName type="artist" corresp="https://d-nb.info/gnd/118598988">Max Reger</persName>.</hi>

            <hi rendition="#et2"><quote type="testimonial">
                <lb />Das <name type="brand">Welte Mignon</name> ist eine ganz ausserordentliche Erfindung, von allen
                <lb />derartigen Mechanismen der Einzige, der auf künstlerische Bedeutung Anspruch
                <lb />machen kann. Den Erfindern meine aufrichtige Bewunderung.
            </quote>
            <lb /><hi rendition="#right #b"><persName type="artist" corresp="https://d-nb.info/gnd/11861911X">Richard Strauss</persName>.</hi></hi></ab></div>
        <div facs="#eSc_textblock_31285247">
            <ab><lb />Mit dem <name type="brand">Welte Mignon</name>
            ist, wie die berühmtesten Künstler anerkennen, ein phantastisch scheinender Gedanke
            <lb />verwirklicht, nämlich das Klavierspiel eines Künstlers mit all' seinen persönlichen Eigenschaften - des Anschlags,
            <lb />der Phrasierung, des Pedalgebrauchs etc.
            <seg xml:id="topic_4" ana="#immortality" type="topic" resp="#np">
                zu verewigen
            </seg>.
            <seg xml:id="topic_5" ana="#distinction_from_mechanical" type="topic" resp="#np">
                Die Wiedergaben des <name type="brand">Mignon</name> haben
                jeden Rest des mecha-
                <lb />nischen verlassen.
            </seg> Dass es sich um eine Erfindung von
            ausserordentlicher künstlerischer Bedeutung handelt,
            <seg xml:id="topic_6" ana="#educational_use" type="topic" resp="#np">
                beweist
                <lb />ihr Gebrauch im <orgName>K. K. Konservatorium in Wien</orgName> zu Studienzwecken
            </seg>.
            <seg xml:id="topic_7" ana="#touch_of_a_button" resp="#np" type="topic">
                Der Besitzer eines <name type="brand">Welte Mignon</name> kann sich
                <lb />jederzeit von den berühmtesten Musikern, wie
                <persName type="artist" corresp="https://d-nb.info/gnd/118501437">d'Albert</persName>
                <persName type="artist" corresp="https://d-nb.info/gnd/118953915">Carreno</persName>,
                <persName type="artist" corresp="https://d-nb.info/gnd/116662166">Lamond</persName>,
                <persName type="artist" corresp="https://d-nb.info/gnd/116942037">Mottl</persName>,
                <persName type="artist" corresp="https://d-nb.info/gnd/118598988">Reger</persName>,
                <persName type="artist" corresp="https://d-nb.info/gnd/11861911X">Strauss</persName>,
                <persName type="artist" corresp="https://d-nb.info/gnd/118986724">Paderewsky</persName>
                etc.
                <lb />vorspielen lassen.
            </seg></ab>
        </div>
        <div facs="#eSc_textblock_bdf7ee80"><ab><hi rendition="#c #b">
            <lb />Vorführung Sonntag, d. 20. November
            <lb />Nachmittag 4 Uhr im Konzertsaal
            <lb />des Bayerischen Hofes</hi></ab>
        </div>
        <div facs="#eSc_textblock_7c09e566"><ab><hi rendition="#c">
            <lb />Eintrittskarten zu 50 Pfg. sind bei
            <hi rendition="#b"><hi rendition="#in"><hi rendition="#larger"><orgName>Alfred Schmid Nachf.</orgName>,</hi></hi></hi>
            <address><addrLine>Theatinerstrasse 34</addrLine></address>, zu haben.</hi>
            <lb /><hi rendition="#c">Sonntag Nachmittag ab 3 1/2 Uhr auch am Saaleingang.</hi></ab>
        </div>
        </body>
    </text>
</TEI>